Boy, that was fast.
Indeed, the first draft of my story, Ararankha, is complete. I'm going to have peer reviews and refine it further, but I really enjoyed writing it. It's roughly 136 pages long, so not really a novel, but it's written on a big page size, so it would likely be longer in a different format.
The story is about Marika Jackson, a traveller in South America who, after a really bad accident, finds herself in a Peruvian village, and joins an expedition into the Andes in search of a prehistoric animal. While they do, indeed, find prehistoric animals, I wouldn't exactly say they have a good time finding them, considering most of them want to stuff the explorers in their mouthes.
Ararankha is my tribute to dinosaur literature new and old, a combination of the old adventure stories of lost world and new ideas on dinosaur evolution and speculative boiology. It will indeed be a very fun read. I've even included a bestiary at the end, complete with illustrations, hopefully.
What I set out to do in Ararankha is not only create good monsters but good characters. I personally believe a good character in a monster story is one that can keep you entertained through the bits the creature isn't there, so I try my hardest to do that.
Ararankha is founded on a mountain of lost world stories, from Journey to the center of the earth to Jurassic Park. It my tribute to techno thrillers and dinosaur fiction.
So, if you like interesting characters, conspiracies, and flying velociraptors, Ararankha is definitely a story you'll enjoy (once it's done, of course, editing takes forever.)
Thankfully, now I'll finally have time to get back to work on Atomic.
Happy New Year, and enjoy the Super Bowl tomorrow!
Kekston Hubler
Showing posts with label cryptozoology. Show all posts
Showing posts with label cryptozoology. Show all posts
Saturday, January 31, 2015
Thursday, October 9, 2014
UNKOWN SPECIES: THE HONEY ISLAND SWAMP MONSTER
Hello, once again!
Even though the scripts aren't finished and in development, I might as well make the puppets for future episodes. So, I created a cryptid near and dear to me: the Honey Island Swamp Monster.
The Honey Island Swamp monster is a beast from a swamp in Louisiana, an ape-like beast with mysterious origins. However, unlike any other bigfoot, it has webbed feet and four fingers. I'm going for something a little more original than a bigfoot, but I'll leave that to the future.
UNKNOWN SPECIES evolved from an earlier Cryptid Project, involving O'bie as the Burrunjor and Harold as the Honey Island Swamp Monster. He was widely considered my best puppet at the time, and wanted to honor him by really upping my game for this puppet.
I sculpted the monster's face in the same cast as the Tatzelwurm, and attached it to his face. I then sculpted the webbed claws, adding holes for the baked claws to fit in. After casting, I fit the casted latex around his hands and feet.
I carved the arms to look like a realistic animal, with strong anatomy. Then, i painted his face, hands, and feet, his only latex parts.
The paint job is awesome. I love his hands, which remind me of the reptile god Mbwun from the sci-fi thriller Relic. His feet, the most realistic part of a creature I've ever built, remind me of a penguin. At last I covered the whole thing in fake fur and added tons a moss and fake vegetation to the back sand seams, to show his swamp origins.
He looks AWESOME. You won't see much of him until the first episode is finished and I can finally get to the next episode, but I will give you hint about his role:
He'll square off with oatmeal, the Burrunjor from episode 1. It will be awesome.
Thank you for reading. Please Comment.
Kelston Hubler
Even though the scripts aren't finished and in development, I might as well make the puppets for future episodes. So, I created a cryptid near and dear to me: the Honey Island Swamp Monster.
The Honey Island Swamp monster is a beast from a swamp in Louisiana, an ape-like beast with mysterious origins. However, unlike any other bigfoot, it has webbed feet and four fingers. I'm going for something a little more original than a bigfoot, but I'll leave that to the future.
UNKNOWN SPECIES evolved from an earlier Cryptid Project, involving O'bie as the Burrunjor and Harold as the Honey Island Swamp Monster. He was widely considered my best puppet at the time, and wanted to honor him by really upping my game for this puppet.
I sculpted the monster's face in the same cast as the Tatzelwurm, and attached it to his face. I then sculpted the webbed claws, adding holes for the baked claws to fit in. After casting, I fit the casted latex around his hands and feet.
I carved the arms to look like a realistic animal, with strong anatomy. Then, i painted his face, hands, and feet, his only latex parts.
The paint job is awesome. I love his hands, which remind me of the reptile god Mbwun from the sci-fi thriller Relic. His feet, the most realistic part of a creature I've ever built, remind me of a penguin. At last I covered the whole thing in fake fur and added tons a moss and fake vegetation to the back sand seams, to show his swamp origins.
He looks AWESOME. You won't see much of him until the first episode is finished and I can finally get to the next episode, but I will give you hint about his role:
He'll square off with oatmeal, the Burrunjor from episode 1. It will be awesome.
Thank you for reading. Please Comment.
Kelston Hubler
Friday, September 12, 2014
UKNOWN SPECIES: BURRUNJORS AND LIVING DINOSAURS
Hello, once again!
Forgive me if my posts are far and few between, I don't often get chances to blog. Anyway, I have some updates on Kyoryu, as well as a new project, Unknown species.
Needless to say, casting was revolutionary for my work. It gave much more detail to my monsters and effects. However, my plaster was soon used up, so I took fellow animator Richard Svensson's advice and buy a more effective plaster: a dental plaster called cast&paint perfect. After several misshaps, a truly horrifying plaster spill (what is it with the Duah and plaster spills, anyway?), and using up almost all my plaster, I built my first two plaster molds, which were extreme successes.
I sculpted the chest piece for the Duah, which casted beautifully, and wrapped it across his chest. With a proper paint-job, it should look truly frightening.
However, Kyoryu is in development hell, considering it's lagging production and problematic work, and on hold for another project on my plate: UNKNOWN SPECIES.
I love cryptids. The idea of mysterious animals which may or may not exist hiding in secluded areas across the planet has always intrigued me, ever since I first read about them in Roland Smith's awesome Cryptid Hunters series, a big inspiration for UNKNOWN SPECIES. I also love technothrillers, with plowing through JURASSIC PARK and FRAGMENT to see the hard biology used to create some really scary monsters. So why not combine the two?
The series focuses on adventurer Julie Challenger's experiences in UNKNOWN, a sprawling, bizarre corporation devoted to the capture of cryptids, capturing their numbers in secret to allow them to live on long after they fade out in the wild. However, Cryptids are a varied bunch, and not all of them are safe to study. I've already got the script for the pilot written down, which got great applause to those who read it. A si-fi technothriller/horror comedy, the show is heavy on hard biology, and I studied tons of theories on proposed identities to Cryptids to give biologically plausible identities to the show's creatures. For the pilot, since I love dinosaurs, I decided my first cryptid should be the Burrunjor, a predatory mystery reptile from Australia said to be a living dinosaur. Based off a scary short story I did years ago, the Burrunjors are truly menacing predator, and I wanted to reflect that in the design.
Being biologically plausible, I wanted it to seem like the Burrunjors evolved from a smaller, opportunistic predator that survived the meteorite crash and the rise of mammals. So, he has a craning neck, large arms with claws, and a primitive jaw, similar to the allosaurs and other early giant theropods. The armature was fairly simple, but my Burrunjor, Oatmeal, is the most complex puppet I have ever worked on.
My first cast of the Burrunjor was tattered and torn, due to improper plaster mixing and not enough latex. So, finally taking a moment to plan, I sculpted and casted a new head, to great success. He even has NOSTRILS!!!
To build a lip, I wrapped the excess latex around a wire, stuffed it with foam, then wrapped it around the head.
I wasn't happy with the crocodilian look, though, so I added some skin from the previous cast and gave him a nose job. I also added avian eyes, giving him a piercing stare.
It took me quite some time to get the head right. I wanted it to be a unique dinosaur species, but still be recognizable as a dinosaur.
At last, I made the skin. Using bumpy, scaly matts, I rubbed the tinfoil sheet over it to cast the skin texture. It didn't work as well as I hoped, but he still looks good.
I also added the feathers and teeth, art supplies I gained last Christmas. The teeth were a pain, considering positioning them right so the jaw could properly close. I then cut off the ends of toothpicks, and glued them to his back to create a spine. Adds a whole level of realism.
Finally, after much pain, I got to the paint job. Again, the project should be as realistic as possible, so I took pictures of monitor lizards off the internet and used them for his paint job. Finally, I cannibalised an old puppet's bolt holes to use on Oatmeal.
Oatmeal is my most realistic puppet to date, and only one of the cryptids I plan to show in unknown species.
Considering how hard long it takes to work on these projects, I'm sure I'll post some test animation for when animation starts.
Speaking of that, clips of Antediluvian will be shown on the blog soon, if I can work around the glitches. The film is finished, and it has some cool, B-movie style monster scenes I want to show.
Thanks for reading, please comment.
Kelston Hubler
Forgive me if my posts are far and few between, I don't often get chances to blog. Anyway, I have some updates on Kyoryu, as well as a new project, Unknown species.
Needless to say, casting was revolutionary for my work. It gave much more detail to my monsters and effects. However, my plaster was soon used up, so I took fellow animator Richard Svensson's advice and buy a more effective plaster: a dental plaster called cast&paint perfect. After several misshaps, a truly horrifying plaster spill (what is it with the Duah and plaster spills, anyway?), and using up almost all my plaster, I built my first two plaster molds, which were extreme successes.
I sculpted the chest piece for the Duah, which casted beautifully, and wrapped it across his chest. With a proper paint-job, it should look truly frightening.
However, Kyoryu is in development hell, considering it's lagging production and problematic work, and on hold for another project on my plate: UNKNOWN SPECIES.
I love cryptids. The idea of mysterious animals which may or may not exist hiding in secluded areas across the planet has always intrigued me, ever since I first read about them in Roland Smith's awesome Cryptid Hunters series, a big inspiration for UNKNOWN SPECIES. I also love technothrillers, with plowing through JURASSIC PARK and FRAGMENT to see the hard biology used to create some really scary monsters. So why not combine the two?
The series focuses on adventurer Julie Challenger's experiences in UNKNOWN, a sprawling, bizarre corporation devoted to the capture of cryptids, capturing their numbers in secret to allow them to live on long after they fade out in the wild. However, Cryptids are a varied bunch, and not all of them are safe to study. I've already got the script for the pilot written down, which got great applause to those who read it. A si-fi technothriller/horror comedy, the show is heavy on hard biology, and I studied tons of theories on proposed identities to Cryptids to give biologically plausible identities to the show's creatures. For the pilot, since I love dinosaurs, I decided my first cryptid should be the Burrunjor, a predatory mystery reptile from Australia said to be a living dinosaur. Based off a scary short story I did years ago, the Burrunjors are truly menacing predator, and I wanted to reflect that in the design.
Being biologically plausible, I wanted it to seem like the Burrunjors evolved from a smaller, opportunistic predator that survived the meteorite crash and the rise of mammals. So, he has a craning neck, large arms with claws, and a primitive jaw, similar to the allosaurs and other early giant theropods. The armature was fairly simple, but my Burrunjor, Oatmeal, is the most complex puppet I have ever worked on.
My first cast of the Burrunjor was tattered and torn, due to improper plaster mixing and not enough latex. So, finally taking a moment to plan, I sculpted and casted a new head, to great success. He even has NOSTRILS!!!
To build a lip, I wrapped the excess latex around a wire, stuffed it with foam, then wrapped it around the head.
I wasn't happy with the crocodilian look, though, so I added some skin from the previous cast and gave him a nose job. I also added avian eyes, giving him a piercing stare.
It took me quite some time to get the head right. I wanted it to be a unique dinosaur species, but still be recognizable as a dinosaur.
At last, I made the skin. Using bumpy, scaly matts, I rubbed the tinfoil sheet over it to cast the skin texture. It didn't work as well as I hoped, but he still looks good.
I also added the feathers and teeth, art supplies I gained last Christmas. The teeth were a pain, considering positioning them right so the jaw could properly close. I then cut off the ends of toothpicks, and glued them to his back to create a spine. Adds a whole level of realism.
Finally, after much pain, I got to the paint job. Again, the project should be as realistic as possible, so I took pictures of monitor lizards off the internet and used them for his paint job. Finally, I cannibalised an old puppet's bolt holes to use on Oatmeal.
Oatmeal is my most realistic puppet to date, and only one of the cryptids I plan to show in unknown species.
 |
| Some Cryptid face sculpts. |
Considering how hard long it takes to work on these projects, I'm sure I'll post some test animation for when animation starts.
Speaking of that, clips of Antediluvian will be shown on the blog soon, if I can work around the glitches. The film is finished, and it has some cool, B-movie style monster scenes I want to show.
Thanks for reading, please comment.
Kelston Hubler
Sunday, August 10, 2014
THE DUAH: ON CRYPTIDS AND KAIJU
Boy, have I been busy!
Not only is Antediluvian finished (in rough draft form), but many new projects can now take the spot light! However, before I elaborate, I must discuss my most recent puppet for my kaiju flick, Kyoryu: the Duah.
In Kyoryu's world, the kaiju (known collectively as "Serpents"), are complete mysteries. Nobody knows why they exist or even how they could support their weight. However, almost all of them resemble mythical monsters from across the globe, making many believe they are the first sign of the apocalypse. Though this isn't exactly the main plot of Kyoryu, it's still heavily relevant. The Duah, or Ropen, is based off a flying demon reported by the native tribes of Papua, New Guinea. Described like a lizard with bat wings, a long beak full of teeth, and a long tail, as well as bioluminescence. A living pterosaur that evolved over the milenia? An unknown species of bat? A hoax? Anyway, it's a cool legend, and it would make a cool kaiju. When sculpting Kyoyu, I used a sketch of a flying beast for the basis of the sculpt and made the head.
Like all reports of living Pterosaurs, a very common theory is that it's an unidentified species of giant bat, a theory endorsed by famous cryptozoologist Ivan T. Sanderson. I decided not to remove the bat nose from the sculpt to indicate the Duah could be both Bat and Pterodactyl. It's not a natural creature anyway, and it looked strange.
however, disaster struck. The plaster was incredibly poor and I could only save half the sculpt, losing the crest and using the latex cast off it to build his neck. Even worse, his eyes aren't straight!
My mistake was sticking the armature inside the latex cast and filling it up with hot glue. Not only did one eye sort of sink into the skull, but I couldn't fix it! Despite this, it at least looked okay when I added teeth.
In fact, it was easier to add teeth than it ever was before. The roof of the mouth was hot glue, so I melted it and stuck the teeth in the holes! I also like the two teeth at the very tip of the lower jaw. It gives purpose to the distended lower jaw and looks more bat-like.
I then used black sculpey to sculpt obsidian plated growing off his back, which I glued to the spine. So far, the Duah looks truly amazing.
The third creature in the film is the parasite, hanging off Kyoryu's stomach. He is not stop motion, but the first of many parasites that will be in a truly disturbing scene. While I'm working on how to build the other parasites, this one is built to be hand held, and if successful, will make a truly memorable scene. I cut the teeth off the original sculpt for the head, and casted it. It came out perfectly. Then, I simply poked holes through the top where teeth should be, shoved toothpicks up them, and glued them in place.
I have to say, this is a truly awesome head. It looks wonderfully creepy and will only look creepier with a paint job!
However, Kyoryu is not the only project on my plate. I have scripts for a cartoon, an idea for a future film, and a fantasy world I will write some short stories on. However, that is for another time.
Thank you for reading. Please comment.
Kelston Hubler
Not only is Antediluvian finished (in rough draft form), but many new projects can now take the spot light! However, before I elaborate, I must discuss my most recent puppet for my kaiju flick, Kyoryu: the Duah.
In Kyoryu's world, the kaiju (known collectively as "Serpents"), are complete mysteries. Nobody knows why they exist or even how they could support their weight. However, almost all of them resemble mythical monsters from across the globe, making many believe they are the first sign of the apocalypse. Though this isn't exactly the main plot of Kyoryu, it's still heavily relevant. The Duah, or Ropen, is based off a flying demon reported by the native tribes of Papua, New Guinea. Described like a lizard with bat wings, a long beak full of teeth, and a long tail, as well as bioluminescence. A living pterosaur that evolved over the milenia? An unknown species of bat? A hoax? Anyway, it's a cool legend, and it would make a cool kaiju. When sculpting Kyoyu, I used a sketch of a flying beast for the basis of the sculpt and made the head.
Like all reports of living Pterosaurs, a very common theory is that it's an unidentified species of giant bat, a theory endorsed by famous cryptozoologist Ivan T. Sanderson. I decided not to remove the bat nose from the sculpt to indicate the Duah could be both Bat and Pterodactyl. It's not a natural creature anyway, and it looked strange.
however, disaster struck. The plaster was incredibly poor and I could only save half the sculpt, losing the crest and using the latex cast off it to build his neck. Even worse, his eyes aren't straight!
My mistake was sticking the armature inside the latex cast and filling it up with hot glue. Not only did one eye sort of sink into the skull, but I couldn't fix it! Despite this, it at least looked okay when I added teeth.
In fact, it was easier to add teeth than it ever was before. The roof of the mouth was hot glue, so I melted it and stuck the teeth in the holes! I also like the two teeth at the very tip of the lower jaw. It gives purpose to the distended lower jaw and looks more bat-like.
I then used black sculpey to sculpt obsidian plated growing off his back, which I glued to the spine. So far, the Duah looks truly amazing.
The third creature in the film is the parasite, hanging off Kyoryu's stomach. He is not stop motion, but the first of many parasites that will be in a truly disturbing scene. While I'm working on how to build the other parasites, this one is built to be hand held, and if successful, will make a truly memorable scene. I cut the teeth off the original sculpt for the head, and casted it. It came out perfectly. Then, I simply poked holes through the top where teeth should be, shoved toothpicks up them, and glued them in place.
I have to say, this is a truly awesome head. It looks wonderfully creepy and will only look creepier with a paint job!
However, Kyoryu is not the only project on my plate. I have scripts for a cartoon, an idea for a future film, and a fantasy world I will write some short stories on. However, that is for another time.
Thank you for reading. Please comment.
Kelston Hubler
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